The Kolarik Book Studio is located in North Hall, along with our papermaking and print studios. Kolarik is a fully equipped bindery with open workspace in which binding and artist book classes are held. Equipment includes a board shear, guillotine, standing press, nipping presses, job backer, sewing frames, plough, foil stamper and drill press. The studio also includes a variety of hand tools and equipment such as Japanese screw punches, paring knives, and sharpening stones. In addition to Kolarik Book Studio, Center students also have access to Room 25, which serves as graduate student storage and work space. Cneter students also have access to the Historical Book Model collection at the UI Libraries Conservation Lab. UI Libraries Special Collections is another resource for both historical and artist's book structures.
The Center offers a variety of courses in bookbinding: for complete course descriptions, see the Center for the Book listing in the UI Catalog. For Center course availabilities, check listings at ISIS; enter 108 in the "Department" field then click on "Search."
Materials and Techniques Hands-on introduction to materials and techniques commonly used in bookbinding.
Build on skills acquired in Bookbinding I; projects to complete six bindings based on historical and contemporary models; sewing styles, board attachments, endband types; nonadhesive and case-bound structures, varied materials and binding styles, their effects on structure, aesthetic considerations, further development of solid binding skills; historical development of particular binding practices.
Bookbinding structures based on historical and contemporary models; differences in various binding practices, how these differences affect function, why the styles developed; experience choosing appropriate structures for particular uses; emphasis on fine tuning skills and techniques required for advanced binding practices; sewn endbands, rounding and backing, sewing on varied supports, board attachments, and covering methods.
Studies in Bookbinding
Topics related to hand bookbinding.
Exploration of the book as a form for artistic expression; emphasis on conceptual development; relationship between content, form, and structure; how a book's structure and design can enhance and integrate part of the work's meaning.
Historical Book Structures
Historical development of book structures examined through surviving examples, construction of historical models.
Boxes and Enclosures
Hands-on techniques for a variety of book enclosures; appropriateness, aesthetic issues concerning box design; Japanese wraparound case, drop-spine box, hinged and lidded boxes, slipcase; technical skill development.
Varied formats for moveable and/or sculptural books; history; readings, hands-on model making.
Pop-Up Book Structures
Hands-on exploration of varied aspects of paper engineering for bookmaking; historical and modern models studied and executed.